The Anatomy of an Indie Prodigy: How Metecan Duren Balanced Medical School and Micro-Budget Horror
There’s a rigid, almost clinical expectation of what a medical student should be: library-bound, fuelled by caffeine and utterly consumed by the daunting task of memorising the infinite complexities of the human body. Filmmaking, on the other hand, is a beast of pure intuition – chaotic, emotionally volatile and visually subjective.
To try and do both at the age of 19 sounds like a recipe for immediate burnout. Yet, filmmaker Metecan Duren managed to find a strange, beautiful harmony between the two. While navigating his demanding first years of medical school, Duren wrote, directed, edited, shot and composed the entire electronic soundtrack for his atmospheric, micro-budget feature film, Pretty.
It’s the kind of hyper-resourceful indie triumph that makes you stop and re-evaluate your own calendar. But for Duren, the secret to pulling off this cinematic tightrope walk wasn’t some military-grade time management app – it was realising that science and art actually feed each other.
The Anti-Burnout Engine
In the world of independent film, we often talk about the gruelling toll of production. We hear of directors burning out, losing their minds and sacrificing their well-being for the sake of their art. But when asked how he divided his mental bandwidth between the rigid lecture theatres of medicine and the dreamscape of horror-fantasy, Duren’s perspective was surprisingly refreshing:
“Honestly, filmmaking keeps me going throughout the year. Working on Pretty alongside medicine actually made me enjoy my medical studies more because I always had something creative to look forward to. They really go hand in hand for me. I think I’d get burnt out with medicine if I didn’t have filmmaking on the side…”

Rather than viewing Pretty as a secondary, energy-draining chore, Duren treated the film as a vital psychological pressure valve.
It’s a perspective that challenges the classic romanticised myth of the “tortured artist” who needs absolute, uninterrupted isolation to create. Instead, Duren treated filmmaking as a modular, organic part of his daily routine. If he had an hour between lectures, he didn’t waste it wishing for a million-pound budget; he put on his headphones and built a piece of the puzzle.
“Whenever I had free time and wasn’t filming, I’d either compose a track for the film, edit older footage, or go out and shoot filler shots. I just fit Pretty into whatever spare time I had.”
The Shared Sanctuary of the Set
One of the biggest hurdles for any first-time, micro-budget filmmaker is rallying a crew. When there’s no money on the table, keeping people motivated through cold night shoots and endless takes is notoriously difficult.
Duren’s solution was beautifully simple: he looked around his own lecture halls.
“Most of the cast are also medical students or students at really demanding schools, so we just filmed whenever our schedules lined up. Of course, we had to squeeze in time wherever we could, but it was a passion project for everyone involved.”

There’s a distinct, raw magic that happens when close friends gather to make something simply because they love it. By casting fellow students who were equally starved for a creative outlet, Duren bypassed the transactional, high-pressure atmosphere of a traditional set. The set of Pretty became a collective sanctuary – a place where high-achieving minds could step away from the pressure of exams and lose themselves in bold colour palettes, eerie shadows and rabbit mythology.
Don’t Compartmentalise Your Life
At its heart, Duren’s journey with Pretty is a quiet masterclass in creative resourcefulness. It serves as a gentle nudge to anyone sitting on a screenplay, waiting for the “perfect time” to start.

If we wait for our schedules to clear, or for our bank accounts to overflow, we might be waiting forever. Sometimes, the most vibrant art is born from the tightest corners of our lives.
Metecan Duren is proof positive that you don’t have to choose between the analytical and the artistic. You can spend your days studying the science of life, and your nights capturing the mystery of it.

